this one was written over the past few days. I was going to call it "what I did on my weekend" (the title of an essay we were given to write at school every Monday when I was about 5 or 6 years old), but eventually settled for "the ballad of brighton beach".
Notes for our colonial cousins in the USA:
1. In English slang, "pissed" means drunk rather than the US meaning of angry.
2. In English we spell aesthetic properly, with the initial "a".
the ballad of brighton beach
I wake about 3am, I think,
and stagger drunk to the toilet.
promptly crack my head
on the corner of the bathroom cabinet.
hand slaps to the point of impact -
primitive reaction to stop the pain and anger.
fingers comes away slick red
I dab at my wet palm,
take the obligatory taste,
then focus on the mirror
(thankfully unbroken)
to see blood flowing down my face
from some hidden point above the hairline.
my mind tries to resolve the equation
of little pain felt
compared to streams of blood
now dripping off my chin
into the washbasin.
(the cinematic aesthetic
is not lost on me,
not even this pissed).
'alcohol blunting the pain',
the alcohol-blurred mind decides.
grab a wad of tissue
to wipe the rivulets of blood off.
another wad compressed
over the source of the stream,
holding it there
as I stagger back to bed,
wondering how bad it will be in the morning
when I'm sober enough,
both to feel, and deal with, it.
I wake to see the bloodstained wad
lying on the pillow like a lover's face.
the bathroom looks like a murder scene
(minus police tape) -
blood finger-smeared and splashed
on every surface,
wads of tissue
printed with dark rorschach tests
cover the floor.
vague memory of last night
it must be my blood.
after a cursory examination of my scalp
I find matted hair
glued in sticky brown resin
(head wounds bleed profusely,
even minor ones).
another day
scratching for pennies
on the dead earth,
stumbling and lurching
from meal to meal,
hand-to-mouth,
mouth-to-glass,
glass-to-bar.
my dreams fuel me,
stoking fires of determination
which drink excites or smothers,
depending on my mood
and the aspect of the moon.
I grasp the can of beer
and feel my grip on reality tighten,
a grip so tight
it could crush this paper-thin aluminium,
and, for a second, I think about recycling.
she sits close -
please, not so close.
don't trust me
don't be so confident of my good nature,
not with me as drunk as this,
and your skirt as short as that.
I have to turn away
and try to ignore
the proximity alarms of demand
clammering from my reptilian brainstem.
in the darkly lit shadows,
pierced by stuttering shards of colour,
I dance to the assault of music,
reducing it to its base elements -
semi-automatic drumbeats,
tracer flashes of guitar,
and sirens wailing.
and I dance to this black noise,
losing myself in the DMZ.
nails deliberately dig deep
into the meat of my shoulder,
leaving raised half-moon weals.
from her it's a challenge to reply
in kind, and without kindness,
to fight fire with fire,
because violence is her passion,
and we always love the ones we hurt.
it's an offer I can't refuse.
clean-up duty takes little time,
blood washes or flushes away,
leaving my bathroom pristine,
or at least presentable.
ceramic tiles rarely stain,
but the grout between them
is less than white now.
quickly finished, it leaves me
with a moment to reflect
on how my sense of time
is not linear, like most,
but ebbs and flows,
and sometimes the tides
wash up flotsam from
vessels sunk years before.
the tide is going out now,
I'm going to float on my back,
and let the current carry me
out to sea.