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Originally posted by SirVLCIV Please ignore the previous post. I would prefer that this day be one of compassion rather than one of vengeance. |
Your lack of depth and understanding is almost comical. Regardless of how you feel about things, I do not need your approval to feel the way I do. That poem, written by a nebel laureat poet shortly after the attack, is a perfectly legitimate expression of rage and folly in the face of such an event. Just for your education I have decided to post an article written by the cair of the english department of Harvard University, himself a Nobel Laureat, wherin he discusses Frank Bidart's piece.
By ROBERT PINSKY
I have read many poems responding to the Sept. 11 attacks. Most of them seem rooted not in a response to the event itself but in the poet's sense of what one should feel or say about such an event: something large-minded, or patriotic, or loyal, or insightful, or moral.
Contrary to that procedure, the art I admire most begins with some real experience. Frank Bidart's poem "Curse," in a way shockingly, comes from the poet's actual response to a terrible and terrifying reality.
The poem is just what its title says it is: a curse on the perpetrators.
As in the traditional Christian idea of a curse, as I understand it, the curse attains and asserts a moral balance or standard. I particularly admire the memorable phrase "a bubble of rectitude" for the ecstasy of self-righteousness that let the terrorists kill thousands of innocent people. In keeping with the Thomist or Augustinian idea that the consciousness of sin is the sin's punishment, Bidart wishes for the killers--or wishes upon them--a full understanding of the suffering, loss and pain they inflicted.
"Of your rectitude at last disenthralled," he imagines those who committed the act, burdened at last by the terrible understanding of what they have done, seeking their victims. He imagines the victims spitting them out.
Is this formulation, Bidart's moral imagining of the crime and its just consequence, itself self-righteous? Has he constructed his own "bubble of rectitude" for himself? His self-doubt, in the resolution of the poem, is a moving engagement with that problem.
Citing the notion of Percy Shelley that empathy, imagining oneself in the skin of another, is the secret core of all morality, Bidart acknowledges with a kind of resigned horror that what he has made of that noble idea is a curse.
Educate yourself. Maybe if you do, one day you may actually achive the level of empathy and understanding that you claim for yourself.