Inuyashi is understandable. The best part of the show is character development. It's really a kiddie show, despite the overused sexual innuendos, which were actually down-played when translated to English, just as Sailor Moon was. It's redundant and short in the ways that DragonBallZ was. You can watch an entire episode and not miss much because they don't give you much on each show. They do it just to keep you watching.

Big O is hard to get into. It's cheesy, and the characters, other than Dorothy, are distinguished by their actions instead of actual personality (but that's really part of the plot...) I exlclude Dorothy here because she's an android and has no personality. The great thing about Big O is the storyline, AND it's the ONLY anime that's been done by Cartoon Network. That alone makes it unique, despite it's roots in the cartoon Batman series. It has dark undertones like batman, and a few of Roger Smith's tricks are very Batman esque, but it is an island all it's own. Truly an excellant show. The fans of this show are astounding. Just taking a look at the Cartoon Network messageboard will show you that people watched this show over and over again and speculated countless times over what the plot was actually about. It has a huge following.


Bebop....It's funny, it's witty, it has good storylines, the characters are well developed and unique. There's sex, drugs, jazz music, and greed. One complaint I hear from many friends is that they can't get into anime because there are too many characters and they all look the same. Bebop is not like this at all. There is no excuse for not liking Bebop.

FLCL is fucking amazing. The storyline is rather out there, but the animation and sexiness about the show really keeps it going, despite the manga animation.

theeeee end.